THE CLINIC OF THE UNBODIED
The Clinic of The Unbodied unfolds within the charged architecture of a former veterinary clinic, a site once dedicated to healing and euthanasia. Here, animal remains and prosthetic technologies are brought together in a series of hybrid sculptures and media installations that probe the thresholds of the body.
Across sculptural and media forms, the exhibition points to the ways memory, cognition, and affect extend beyond the body, distributed across machines and networks. What emerges is an uneasy vision of coexistence, in which empathy and domination are inseparably entwined, and where the body itself becomes a contested site of experimentation.
Curation, Exhibition Design
Artworks : Herwig Scherabon
Photos : Hannah Brandes
BENEATH THE DUNGEON FLOOR
The performance was developed within the framework of my final master’s project, The Clinic of the Unbodied, for which I conceived the costume design and art direction. Performed by Tara Dalli, the piece unfolds at the threshold between material and immaterial states, where a costume made of water soluble plastic gradually dissolves through contact with water. This act of disappearance exposes the fragile boundary between human and non human, turning the costume into an active agent of transformation.
Inspired by El Libro de las Fuerzas by Julián Galay, the work explores how memory, time and matter extend beyond human perception. The costume, designed as a hybrid organism combining organic and synthetic elements, reflects on decay, permeability and continuity. Through a precise yet sensorial direction, the performance stages a state of transition where body, material and perception merge into a single, unstable form.
In collaboration with Tara Dalli , Máximo de Vries, Herwig Scherabon
MAINTENANCE 1:1
Developed within Maintenance 1:1 at the German Pavilion for the Biennale Architettura 2023, this project explored how materials recovered from previous Biennales could return to everyday use in Venice.
Together with local initiatives, carpenters, residents and fellow designers, we created small scale interventions for the Santa Marta neighbourhood. I worked on a mobile outdoor kitchen for Circolo Anziani, a social space for elderly residents, and a modular table for a nearby primary school.
Built entirely from reclaimed materials, the structures responded to local needs through gestures of reuse, repair and spatial care.
Together with local initiatives, carpenters, residents and fellow designers, we created small scale interventions for the Santa Marta neighbourhood. I worked on a mobile outdoor kitchen for Circolo Anziani, a social space for elderly residents, and a modular table for a nearby primary school.
Built entirely from reclaimed materials, the structures responded to local needs through gestures of reuse, repair and spatial care.
Studio Meier Unger
Curated by SUMMACUMFEMMER, ARCH+ and Büro Juliane Greb
JEKKA
For JEKKA’s album photoshoot, I developed a set design based on delicate chaos. The space combines concrete rubble, tangled wires, water and broken surfaces to create an environment between ruin, confinement and transformation.
The set surrounds the artist like a fragile shell, while gradually opening into a landscape of resistance and emergence. Rough materials and reflective details become part of the visual narrative, turning decay into a stage for presence and rebirth.
Art Direction: Delicia Goh
Photography: Shin Jeong Hoon
Styling: Dasha Vorobeva
Studio Platte Berlin
TERRESTRIAL CELL TALES
Terrestrial Cell Tales transforms Gropius Bau into a scenographic system of cells, passages and thresholds. Drawing from holdout buildings, the Panopticon and Kafkaesque bureaucracy, the project explores migration, surveillance and spatial access through architecture.
The exhibition is composed of 47 cells, each occupied by a different artist with a migration background selected through an open call. Visitors move through partially restricted routes and receive access through a passport and lottery system, where each visited room becomes a stamped trace of encounter.
Through repetition, restriction and delayed access, the project turns circulation into a spatial experience of borders, privilege and institutional order. The exhibition becomes a fragmented archive of personal histories, shaped by chance, exclusion and the politics of movement.
Team: Viana Wagohk, Rina Lipkind, Azael Holtz
Project type: Exhibition concept / spatial system
Site: Gropius Bau, Berlin